John Blackburn British, 1932-2022
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John Blackburn2 Squares, Grey to Left, 2008Oil & mixed media on canvas board45.5 x 61 x 5 cm
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John BlackburnAssemblage of Gentle Cups, 2022Mixed media on 6 mm board70.5 x 98.5 cm
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John BlackburnBig Black, 2014Oil & mixed media on canvas mounted on board125 x 125 x 5 cm
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John BlackburnBuilding Blocks, 2011Oil & mixed media on canvas mounted on board35 x 40 x 5 cm
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John BlackburnCelebration, 2019Oil & mixed media on canvas94 x 58.5 cm
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John BlackburnFire Painting, 2018Mixed media on board, burnt25 x 21 cm
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John BlackburnFour Trees with Assorted Cups, 2022Mixed media on canvas mounted on board61 x 122.5 cm
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John BlackburnFrom Green to Yellow, 2021Mixed media on canvas board51 x 61 cm
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John BlackburnGreen Field, 2010Oil & mixed media on canvas mounted on board60 x 50 x 5 cm
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John BlackburnGreen Field, 2019Oil & mixed media on canvas51 x 75 cm
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John BlackburnGreen Sails, 2021mixed media on canvas board36 x 46 cm
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John BlackburnGrey Form above White Square, 2010Oil & mixed media on canvas mounted on board60 x 50 x 5 cm
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John BlackburnGrey Form with White Square, 2010Oil & mixed media on canvas mounted on board57 x 113 x 5 cm
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John BlackburnGrey with Orange Square, 2015Oil & mixed media on canvas mounted on board87.5 x 122 cm
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John BlackburnHarlequin, 2019Oil & mixed media on canvas59 x 84 cm
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John BlackburnIgloo, 2022Mixed media on canvas mounted on board61 x 122.5 cm
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John BlackburnLost in Translation (The Chinaman’s Dream), 2013Oil & mixed media on canvas mounted on board150 x 120 x 5 cm
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John BlackburnMuriwai Morning, 2014Oil & mixed media on canvas mounted on board76 x 60 cm
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John BlackburnOrange Form, 2019Oil & mixed media on canvas54 x 75 cm
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John BlackburnPink Flag with Sarasota Form, 2021Mixed media on canvas board46.5 x 74 cm
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John BlackburnPink Form with White Square, 2022Mixed media on canvas board40.5 x 51 cm
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John BlackburnRetracting Seas, 2019Oil & mixed media on canvas102 x 62.5 cm
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John BlackburnSlate & Metal with Grey Cup, 2019Burnt metal, slate & acrylic on canvas24.5 x 44.5 cm
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John BlackburnThe Cross, 2022Mixed media on canvas/board panels
Triptych84.5 x 179 cm -
John BlackburnThree Trees with Two Forms, 2022Mixed media on canvas panel60.5 x 81.5 cm
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John BlackburnWhite Cross over Blue Form, 2022Mixed media on canvas panel60.5 x 81.5 cm
John Blackburn was born in Bedfordshire in 1932 and studied textile design at Maidenhead Art School in the early 1950s. After serving in the Royal Air Force he ventured to the South Pacific, where he met his New Zealand wife.
After nearly a decade in New Zealand, by the time Blackburn returned to his native England in 1961, he was arguably the most radical painter working in Auckland. Strangely, there is not a paragraph in New Zealand art history about him, besides his inclusion as one of ten artists at the Auckland City Art Gallery in November 1959. Colin McCahon, who selected the artists for this exhibition, spotted Blackburn's work at his first solo exhibition at Auckland's short-lived Circle Gallery. Indeed, those were years of a general hostility towards abstraction - even Gordon Walters refrained from exhibiting at the time. Fortunately for Blackburn, local entrepreneur Les Harvey (responsible for developing Parnell village) was taken by Blackburn's uncompromisingly abstract paintings and recognising his promise, acquired a large collection of works in exchange for tickets to Britain for the artist and his young family, so that he might further his career amongst a more responsive audience.
Blackburn returned to London in 1961 and his first London exhibition was at the Woodstock Gallery, which in the late 1950s and early 1960s developed a strong identity with the progressive painting coming out of St Ives. Blackburn's lyrical abstract paintings of simple, reduced strong forms in limited pure, unmixed colours, could easily be appreciated in the context of the work of the British art scene at that time.
It was the chance discovery of some of Blackburn's works acquired in the 1960s by the renowned collector, curator and writer, Jim Ede, which led to renewed interest in the artist. So, after an absence of 20 years, Blackburn was re-launched back into the art world with a full-scale retrospective. Striking large new works, at Folkstone's Metropole Galleries in 2006, followed by an exhibition at the prestigious Mayfair Gallery of Osborne Samuel in London.
The Harvey family's continuing interest in the work of Blackburn led to an offer from Nancy King, Harvey's daughter, of accommodation and a studio at Muriwai. Blackburn took up the offer in 2008, producing work for his first exhibition in Auckland since the 1960's.
Blackburn held his first exhibition in ARTIS Gallery in 2009 and since then has exhibited with the Gallery in February each year. During these years he has continued to exhibit in London at the Osborne Samuel Gallery in Mayfair.
At the age of 90, John Blackburn passed away in October 2022. His incredible talent has been recognised worldwide and it has been a great privilege to exhibit John in ARTIS Gallery. We will continue to uphold the immense legacy he has left behind with future exhibitions.
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John Blackburn
REMINISCE 27 February - 10 March 2024 -
John Blackburn
90 Years 14 - 27 February 2023In June 2022 we celebrated the milestone of John’s 90th birthday and four months ago he sent us a collection of stunning new paintings for his 2023 exhibition. It was whilst those paintings were at the framers in preparation for this exhibition that we received the sad news of John’s passing on October 22nd. Since 2009 John has been a massive supporter of ARTIS Gallery and a valued mentor to our younger artists. We have formed a strong personal friendship with John and Maude. John’s elegant presence at his exhibition openings will be sorely missed. As John said to me in 2017, ‘there’s no point in simply doing what you already know; the important thing is to search for what you don’t know’.Read more -
John Blackburn & Margaret Lovell
An Unbroken Duality 8 - 24 February 2022Art is often a barometer of its time, and the fraught conditions of recent years have informed the content and mood of the work of many artists, including that of the two veteran British abstractionists shown in this exhibition. In her adopted country of New Zealand, sculptor Margaret Lovell reacted to global uncertainties with what she came to realise was a subconscious need to simplify, to pare down her forms in a meditative process in which clarity and strength were constant watchwords. In contrast, during sustained periods of lockdown in both Auckland and at his English home, John Blackburn, always a highly physical painter, felt impelled to work with even greater rawness and immediacy. On the face of it then, divergent energies appear to be operating here, though in fact a closer examination reveals that these artists have much in common.Read more
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John Blackburn
Extended Stay 2 - 18 February 2021‘Extended Stay’, an exhibition of new works by John Blackburn, reflects on the artist’s forced hiatus in New Zealand at the beginning of the Global Covid-19 Pandemic. Blackburn and his...Read more -
John Blackburn + Marian Fountain
Parallel Reflections 11 - 23 February 2020Returning from London for his 11 th exhibition at ARTIS Gallery, it is both apposite and convenient to suggest that John Blackburn’s career has spanned parallel paths both in New...Read more -
John Blackburn & Margaret Lovell
All Fired Up 12 - 25 February 2019Although still going strong at 86, it is both apposite and convenient to propose that John Blackburn’s extraordinary career as a painter is now bookended by fire works. For surely,...Read more -
John Blackburn & Peter Panyoczki
Two Modernists 20 February - 12 March 2018John Blackburn is well known in Britain and New Zealand as an abstract painter of originality and vision. Shapes and applications have reoccured frequently in his works throughout the past decades, but they are always fresh and illuminating, reflecting both order and change – “continually open to experience and reassessment”. Blackburn’s paintings are made up of overlapping layers – each embedded with their own meaning. These contrasting layers interact with each other, creating an euphony of colour, texture and form.Read more
Peter Panyoczki is a highly regarded mixed media artist, working in a hybrid of forms and mediums including painting, sculpture, installation, photography and digital technology. Panyoczki’s work expresses the paradox of communication that refuses to reveal itself by providing information of what it is made of. A common feature in Peter’s works is the presence of texture, be it actual surface texture or the representation thereof. The textured surfaces are evocative, forming notions of one’s past and inner self, or that which has been buried and forgotten.