Anah Dunsheath b. 1943

Visual transformation and optical illusion are the key elements of Anah Dunsheath's practice. Her works feature pronounced perspective and an often paradoxical relationship between 3-dimensional space and 2-dimensional surface.

Dunsheath is known as an 'urban' artist.  Her large acrylic paintings are generally set in the streets of Auckland. But other themes are present in each series, relating to popular culture.  The works are edgy with strong form and bold colour, with human interaction an essential component.  These works create a narrative the viewer is invited to complete.

Dunsheath's sculptures are made in the basic medium of mirror finish stainless steel with an emphasis on illusion with resulting viewer participation.  Other mediums are also included on different works such as acrylic, LED lights, etch primer, and lacquer paint. The sculptures range from free standing works wall mounted or for display on plinths, to huge outdoor site specific sculptures.

My work is a wry comment of Auckland's current urban landscape. The 'orangeing' of Auckland - the change and repair, the cost and final effect. We would all like shares in the capital of the 'road cone company' , they multiply daily and have become part of our urban landscape. They are a poor relative to the city's seventy volcanic cones. The scenes are set with early architecture, which are rearranged to suit the composition. Human interaction and body language is observed, creating tension and a narrative for the viewer to complete.

- Anah Dunsheath.