Without Colour Bias I
Acrylic on paper
300 x 420 mm
Framed
2020
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What makes Nigel Brown’s art practice so appealing is his direct and personal articulation of the realities of the human condition. He is profoundly aware of the relationship between human beings and their environment. In his hands symbolism is a powerful and evocative instrument. The fern, black singlet, dog and driveway, James K. Baxter and Captain Cook, all reflect his experience, his observations and his beliefs. He has woven these into a complex web over a period of more than forty years. In his early work he combined a tension and personal narrative centred on social issues in New Zealand topography. His later work included the socio-political world of the distinctly New South Pacific, while in his current practice, he continues to emphasise his vision of a New Zealand identity.
What makes Nigel Brown’s art practice so appealing is his direct and personal articulation of the realities of the human condition. He is profoundly aware of the relationship between human beings and their environment. In his hands symbolism is a powerful and evocative instrument. The fern, black singlet, dog and driveway, James K. Baxter and Captain Cook, all reflect his experience, his observations and his beliefs. He has woven these into a complex web over a period of more than forty years. In his early work he combined a tension and personal narrative centred on social issues in New Zealand topography. His later work included the socio-political world of the distinctly New South Pacific, while in his current practice, he continues to emphasise his vision of a New Zealand identity.