George Baloghy’s latest exhibition “Urban Pastoral” continues the artists interest in documenting and appreciating Auckland’s urban landscape which his art practice has been concerned with for over fifty years.
The works in the exhibition highlight the fact that much of Auckland City is blessed with green open spaces, much of this made possible through the protection of the city’s many volcanic cones. The paintings, like the city are dominated by these cones and green spaces such as Mt Eden, Mt Hobson, One Tree Hill/Cornwall Park and Mt Victoria. They also highlight just how green and lush the landscape is.
With his paintings he also follows in the footsteps of artists like the Valentine Brothers whose photographs documented early Auckland. Like those photographs they were mainly taken from the high vantage points of the city such as Mt Eden partly to capture the panorama but also as with Baloghy, to avoid the encroaching trees and buildings which could compromise the views.
The paintings are all recognisable images of Auckland and focus on the contrasts between the built environment and the natural landscape as well as referencing the changes which have occurred in Auckland over the course of its history.
In “Mount Hobson to Mount Eden” ($14,000) the curve of the motorway is a reminder of the way the motorcar has defin3ed the city as much as its topography while “Mt Eden to One Tree Hill” with the memorial atop the hill a reference to both Māori occupation and European settlement.
The views which Baloghy has produced are almost magical, encouraging the viewer to explore the city from multiple viewpoints and even though his views are recognisable, the impression is of a city of heightened colour, sharper light, tidier and more carefully arranged – like a model of the city rather than the real one.
Link to the full article -
https://nzartsreview.org/2023/05/04/the-magical-panoramic-auckland-paintings-of-george-baloghy/
